MIXING LIVE SOUND MONO HOW TO

But with the new setup I just want to be sure and not burn up anything that may be irreplaceable. So make sure to always check your mixes in mono, fix those stereo effects to work in mono, and pan your instrument in mono for better separation. A mono mix however, will sound just as great on a stereo system. In the past when a principal burned out the stereo to mono converter I just replaced it with like resisters. A stereo mix sounds great on your stereo system, but can sound terrible if itвЂ™s not mono compatible. In that case I'm thinking the lower value? Sorry about all the questions I'm just very limited in my knowledge about electronics. I'm guessing it has a buffered output as you referred to in one of your discussions about an old tube system. So do you recommend in this application I use more or less ohms of resistance. A mono mix is when your music, recordings, or any other type of audio is played at equal volumes out of both speakers (no panning), meaning the listener won't experience two separate channels but one single channel (called the center channel or mono channel) in the center of the stereo field.

MIXING LIVE SOUND MONO HOW TO

Can I, for example, hook up the rear only and adjust or fade all the signal out of the front channels to the two being used? Or do I need to figure out how to convert four channels to mono? Also in your wiring diagram resister values of 470-1000 ohms but you also recommend 220 ohms more than once in your answers to inquiries. The new component is a typical car stereo with two channels in front and two in back. I would like to upgrade the old AM FM cassette radio, looks like an in dash car stereo, to a newer component that has blue-tooth and a USB port so I may interface with the computer. I'm a maintenance person in a school and we have a Simplex brand PA system (mono) from the early 1990's.

Mixing live sound mono